Beat Daddys Show Timpanis Audience How It's Done
Some music creeps up behind
you like a cat on silent paws. Some ride along side like a dragonfly on your shoulder. And
still others pass like a freight train in the night. The Beat Daddys is a combination of
all three. Just as the train gains momentum from a standstill until it's barreling down
the tracks, the Beat Daddys starts out slow and easy. When the group performs "Delta
Sun," fingers are snapping like the clacking of the wheels against the tracks. |
 |
| It's not long before it
reaches full throttle. It's not out of control; it's the embodiment of engineering and
steel coming together to its final destination. |
Together, the tracks and the engine become one-Britt Meachum, his
spine-chilling slide guitar combining with the resonant tones of Larry Grisham. The Beat
Daddys are making a rare north shore appearance at Timpanis in Slidell. A Mobile-based
band, the group is making its first stop. The next station's Galveston; then it's on to
Tuscon. The band does mostly originals, products of four albums that it has recorded over
the years for its studio, Malaco Records.
From Grisham's humorous description of the perfect woman-a beautician
who makes a lot of money, is long and lean and treats him like a king-to the painful
"You Give the Blues the Blues," Grisham's full-bodied vocals make every song a
story. Almost every tune featured the expertise guitar licks of Meachum. With a rap sheet
as long as his hair, he grabs an audience's attention. Even the foosball players hesitated
long enough to appreciate the elongated notes as he suspended them in midair until they
were almost palpable.
One of the things I enjoy most about hearing the Beat Daddys in person is the comments
made by the audience, some of which comes wrapped in a handshake, while others are off the
cuff while the band is oblivious and performing. There are always the "virgins"
who have never heard them or heard of them. One new fan felt compelled to tell Larry that
the Beat Daddys was the best band she had heard in years. She sounded like a desperate
body in pain who had finally found a healer, a reliever of her aches.
There is also the amateur musician, who plays in his mind as he watches
Britt's fingers hover over his Flying V's neck. The fan's fingers follow along on his air
guitar, and he holds a look of consternation as he tries to keep up. At the first break,
he's the first in line to pat Britt on the back and pick his brain.
A few old fans tell Larry how they saw him and Britt at A.J.'s in Destin
and lost track of them, but they sound even better than he remembers. Once you hear the
Beat Daddys, it'll stick. They have that effect on true blues lovers.
|
"The Beat Daddys", Still Sing the Blues
...
By Terry Nell Morris The
lights dim and the conversations muddle when everything suddenly stops as you hear the
opening click of drum sticks and a hard syncopated 1-2--1-2-3-4 countdown. You immediately
feel the firm bass and drum beat intro as your attention is now focused on the stage. You
are then hit with a mesmerizing guitar riff that makes you take a quick breath, raise your
eyebrows to a wide-eyed, pulled back, soft gasped instant when after a paused moment you
tilt your head and utter an audible breathless "Whoa!" and think, "That boy
can play!" It's time to fasten your seatbelt because you just stepped into a
three-ticket music ride that you won't easily forget. Welcome to an evening with "The
Beat Daddys".
You are already tapping toes and beat bobbing to the opening tune, when
you suddenly realize that the main attraction is yet to come! After another riff or two
from stoic Britt Meacham, whose guitar licks you have heard on Bob Seger's legendary
"Old Time Rock-N-Roll", you visibly notice the graceful majestic sway of
6'-5" lead singer Larry Grisham as he rhythmically leans forward with closed eyes to
take that last gasp of air before he rears back a full mane of curly locks and opens his
powerful lungs and voice into an energetically seductive growling vocal that grabs your
attention and slams your senses into the rest of the evening's entertainment.
Larry's controlled high-energy exudes seasoned showmanship and focused
professional confidence, as he seems to individually connect "one-on-one" with
every person in the audience. You are riveted to his performance. Even though Larry does
get "into" his music, you won't see any fancy-dance moves or side-to-end stage
slides. You also won't be subjected to over-acted guitar playing with show-off jumping at
the end of songs. Larry simply owns the stage. With his statuesque frame, commanding
presence, projected vocals and larger than life persona, he can fill up a room all by
himself. Even though he doesn't dance around a lot, he makes you want to! So, go ahead and
slide on out of your seat now and find a spot on the dance floor. It's time to party all
night long and tear the house down because in the tick of the clock you'll hear this
band's reasons to sing the blues.
Larry Grisham's creativity and craftsmanship in songwriting and singing
is almost overshadowed by his talented lip blistering harp playing that is presented on
many "Beat Daddys" recordings. This instrument is so much a part of his
musicianship that it appears to be merely an extension of his soul with whining notes and
blues phrasing that seems to speak directly to your emotions. Most notably Larry's harp
skills are featured on the Grammy Nominated "Bobby Blue Bland" recording of
"I'm a Blues Man" from the Malaco "Z. Zelebration" CD.
The Indiana born, Kentucky raised band leader, Larry Grisham, is
presently in a Mississippi Delta state of mind and has penned the lyrics and written the
music to hundreds of songs produced and featured on numerous CD's. After a successful
promotional tour of their first independent CD, Larry Grisham was signed to Jackson,
Mississippi based Malaco / Waldoxy Records in 1992. He has led "The Beat Daddys"
on a tours of Europe, Asia and other countries as well as music venues and concerts all
over the United States. There is no doubt that he is the driving force for the band. You
will find that Larry's songs repeat themselves in your memory long after the concert ends,
much as a fine wine stays on your palette after a 5-star meal. It's almost impossible to
choose a favorite tune, because every song seems to touch a different part of you and is
memorable in its own unique way.
"The Beat Daddys" are presently on a relentless touring
schedule all over the southeastern states from the Mississippi River to the Atlantic
Ocean. (They will even be venturing over to Texas a few times this year.) You can find
them playing somewhere within a days drive from most major cities in the Southeast. If you
can't make the trek to hear them "live", you can easily listen to song samples
and order CD's from their web site: http://beatdaddys.com/cds.html
A new "Live" recording is in the works to be released before
the end of the year and will feature the current "Beat Daddys" line up which
includes band leader Larry Grisham / guitar, harp and vocals, Britt Meacham / lead guitar,
John Hedman / bass.
For more information and tour schedule, check out their web site at
http://beatdaddys.com
Write to Larry at musiclife@aol.com |